To what extent does
your Thriller conform to traditional structures of representations?
Our Thriller does
conform to some traditional theories but challenges some that may not conform
to the ‘traditional structure.
Marxism is a hegemonic
view of society. Michel Maffesoli people within small groups share and have
similar dress styles and common behaviours. In my Thriller the males in
thriller are dressed in suite for disguise, this may be misplacing man who
dresses in suites for work but in Thriller men are typically dressed in suites.
The men in Thrillers are normally protruded as being bad/evil. My Thriller
doesn’t conform to David Gauntlett as the identities of the characters are
constructed and negotiated as the thriller develops.
Feminism includes of
masculinity and femininity are socially constructed. Laura Mulvey argues that
the dominant point of view is masculine. This is typically making the male
stronger then the female. In our Thriller this theory is conformed, as the
woman is the one who’s in trouble and the male is portraying the stronger
person as he tries to save her. The other male is also portrayed as being
strong as he’s blackmailing the other male and at this part the female doesn’t
get involved.
Postmodernism in the
media would is the difference between reality and media representation. Baudrillard discussed the concept of
hyper reality – we have habits that society creates.
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